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The US magazine featured more revealing shots of its models and also threw graphic hardcore imagery into the mix. Larry Flynt’s Hustler had a far more lowbrow explicit agenda. He was soon known as the “King of Soho”, reinvesting in central London real estate to great success. In 1971, however, he took over the adult title Men Only, and went on to publish Razzle and Mayfair. In 1964, he launched King, but it failed, ceasing publication after two issues. Meanwhile, in swinging London, a club owner named Paul Raymond, proprietor of the Raymond Revue Bar in Soho, was entering the publishing world. Banned in Queensland and Victoria during its brief lifespan from 1966 to 1971, the magazine, along with Squire Magazine, paved the way for the publications that litter today’s top shelves. It was Gareth Powell’s Chance International, however, that took the Playboy and Penthouse templates to make Australian’s own highbrow men’s magazine. Australasian Post and Pix both promised nudie thrills in the '60s but were soon swallowed up. Years before Kerry Packer purchased the rights to publish an Australian version of Playboy in 1979 - coincidentally the same year Australian Penthouse was first published - a handful of Aussie men’s mags mirrored Hef’s juggernaut. The first issue of 'Playboy' featuring Marilyn Monroe. The Playboy Bunny photo shoots for which the magazine became famous mixed with lifestyle articles, features and short stories by such little known writers as Arthur C Clarke, Ian Fleming, Chuck Palahniuk, Haruki Murakami, Margaret Atwood and Stephen King! Guccione’s porn project, designed to compete with Playboy, offered unique soft-focus photography and in-depth reporting of government corruption scandals as its pornographic point of difference. Hugh Hefner’s Playboy made its debut in 1955 with a certain Marilyn Monroe as the first centrefold. Hef’s aim was to create a worldwide brand that was associated with a particular lifestyle his magazine promoted. Penthouse, however, wasn’t the first top-shelf magazine to hit the newsagent’s shelf.
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The magazine often pushed the boundaries of what was deemed acceptable in a mainstream publication. From the '60s summer of love through the '70s sexual revolution, Penthouse’s pages became an eye-opening precis on the history of sex.
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Heading into your local newsagent to get your first glimpse of naked female flesh was a traumatic man-making experience.įlicking through the pages of Guccione’s infamous girlie magazine over the decades, their contents parallel society's acceptance of a more sexually permissive lifestyle. In those innocent times before the internet, buying a men’s magazine became a right of passage for your average teenage boy. And it’s like, ‘Lesbians shouldn’t be on this Earth, just burn in hell and die’.When New Yorker Bob Guccione, subject of the SBS On Demand documentary Filthy Gorgeous: The Bob Guccione Story, first published Penthouse in England back in 1965, it was a tame, almost naive affair - a million miles from the sexually explicit imagery we are bombarded with today. “The root of it all is always because I’m gay, I’m a gay woman. It's an issue that is clearly upsetting and baffling to the star who is naturally disappointed that some sectors of society choose to attack over her lifestyle, when there are such bigger issues in the world to worry about. Michelle, who starred in Heartbeat spin-off The Royal before landing her role in the top ITV soap, came out in 2013 and has had numerous attacks via social media over her sexuality since then. "When they’re mentioning your son’s name and you’re just going ‘Really? I’m just in a soap you know – we’re not doing any harm to anybody'."